CSS stands for

MOOC stands for

Binary equivalent of decimal number 35 is

gif, jpg, bmp, png are used as extensions for files which store

Which one of the following is not a search engine?

Symbols A-F are used in which one of the following?

In terms of total CO 2 emissions from a country, identity the correct sequence:

Match List – I and List – II and identify the correct code:

Which of the anthropogenic activity accounts for more than 2/3 rd of global water consumption?

One of the anthropogenic sources of gaseous pollutants chlorofluorocarbons (CFCs) in air is

The maximum number of fake institutions / universities as identified by the UGC in the year 2014 are in the State / Union territory of

Which of the following institutions are empowered to confer or grant degrees under the UGC Act, 1956?
1. A university established by an Act of Parliament.
2. A university established by an Act of Legislature.
3. A university / institution established by a linguistic minority.
4. An institution which is a deemed to be university.
Select the correct answers from the codes given below:

Which of the following are the tools of good governance?
1. Social Audit
2. Separation of Powers
3. Citizen’s Charter
4. Right to Information

The cyclone “Hudhud” hit the coast of which State?

Which of the following is not a renewable natural resource?

Right to privacy as a Fundamental Right is implied in

Which of the following organizations deals with “capacity building programe” on Educational Planning?

Which of the following powers, the President has in relation to Lok Sabha?
1. Summoning
2 Adjournment- sine die
3. Prorogation
4. Dissolution
Select the correct answer from the codes given below:

The interval between two sessions of parliament must not exceed

Maximum participation of students during teaching is possible through

Diagnostic evaluation ascertains

Instructional aides are used by the teacher to

Attitude of the teacher that affects teaching pertains to

“Education is the manifestation of perfection already in man” was stated by

Which of the following is not a prescribed level of teaching?

The core elements of dissertation are

What is a Research Design?

“Sampling Cases” means

The frequency distribution of a research data which is symmetrical in shape similar to a normal distribution but center peak is much higher, is

When planning to do a social research, it is better to

When academicians are called to deliver lecture or presentations to an audience on certain topics or a set of topics of educational nature, it is called

Media is known as

The mode of communication that involves a single source transmitting information to a large number of receivers simultaneously, is called

A smart classroom is a teaching space which has
(i) Smart portion with a touch panel control system.
(ii) PC/Laptop connection and DVD/VCR player.
(iii) Document camera and specialized software
(iv) Projector and screen
Select the correct answer from the codes given below:

The term “Yellow Journalism” refers toSensational news about terrorism and violence

In the classroom, the teacher sends the message either as words or images. The students are really

The next term in the series: AB, ED, IH, NM, --- is

If STREAMERS is coded as UVTGALDQR, then KNOWLEDGE will be coded as

A is brother of B. B is the brother of C. C is the husband of D. E is the father of A. D is related to E as

Two numbers are in the ration 3:5. If 9 is subtracted from the numbers, the ratio becomes 12:23. The numbers are

The mean of the ages of father and his son is 27 years. After 18 years, father will be twice as old as his son. Their present ages are

Digital Empowerment means
(i) Universal digit literacy
(ii) Universal access to all digital resources
(iii) Collaborative digital platform for participative governance.
(iv) Probability of all entitlements for individuals through cloud.
Choose the correct answer from the codes given below:

The next term in the series: 2, 7, 28, 63, 126, --- is

Read the following passage carefully and answer questions 44 to 48:
The literary distaste for politics, however, seems to be focused not so much on the largely murky practice of politics in itself as a subject of literary representation but rather more on how it is often depicted in literature, i.e., on the very politics of such representation. A political novel often turns out to be not merely a novel about politics but a novel with a politics of its own, for it seeks not merely to show us how things are but has fairly definite ideas about how things should be, and precisely what one should think and do in order to make things move in that desired direction. In short, it seeks to convert and enlist the reader to a particular cause or ideology; it often is (in an only too familiar phrase) not literature but propaganda. This is said to violate the very spirit of literature which is to broaden our understanding of the world and the range of our sympathies rather than to narrow them down through partisan commitment. As John Keats said, ‘We hate poetry that has a palpable design upon us’.
Another reason why politics does not seem amenable to the highest kind of literary representation seems to arise from the fact that politics by its very nature is constituted of ideas and ideologies. If political situations do not lend themselves to happy literary treatment, political ideas present perhaps an even greater problem in this regard. Literature, it is argued, is about human experiences rather than about intellectual abstractions; it deals in what is called the ‘felt reality’ of human flesh and blood, and in sap and savour. (rasa) rather than in and lifeless ideas. In an extensive discussion of the matter in her book Ideas and the Novel, the American novelist Mary McCarthy observed that ‘ideas are still today felt to be unsightly in the novel’ though that was not so in ‘former days’, i.e., in the 18th and 19th centuries. Her formulation of the precise nature of the incompatibility between ideas on the one hand and the novel on the other betrays perhaps a divided conscience in the matter and a sense of dilemma shared by many writers and readers: ‘An idea cannot have loose ends, but a novel, I almost think, needs them. Nevertheless, there is enough in common for the novelists to feel... the attraction of ideas while taking up arms against them — most often with weapons of mockery.’

The constructs of politics by its nature is

Read the following passage carefully and answer questions 44 to 48:
The literary distaste for politics, however, seems to be focused not so much on the largely murky practice of politics in itself as a subject of literary representation but rather more on how it is often depicted in literature, i.e., on the very politics of such representation. A political novel often turns out to be not merely a novel about politics but a novel with a politics of its own, for it seeks not merely to show us how things are but has fairly definite ideas about how things should be, and precisely what one should think and do in order to make things move in that desired direction. In short, it seeks to convert and enlist the reader to a particular cause or ideology; it often is (in an only too familiar phrase) not literature but propaganda. This is said to violate the very spirit of literature which is to broaden our understanding of the world and the range of our sympathies rather than to narrow them down through partisan commitment. As John Keats said, ‘We hate poetry that has a palpable design upon us’.
Another reason why politics does not seem amenable to the highest kind of literary representation seems to arise from the fact that politics by its very nature is constituted of ideas and ideologies. If political situations do not lend themselves to happy literary treatment, political ideas present perhaps an even greater problem in this regard. Literature, it is argued, is about human experiences rather than about intellectual abstractions; it deals in what is called the ‘felt reality’ of human flesh and blood, and in sap and savour. (rasa) rather than in and lifeless ideas. In an extensive discussion of the matter in her book Ideas and the Novel, the American novelist Mary McCarthy observed that ‘ideas are still today felt to be unsightly in the novel’ though that was not so in ‘former days’, i.e., in the 18th and 19th centuries. Her formulation of the precise nature of the incompatibility between ideas on the one hand and the novel on the other betrays perhaps a divided conscience in the matter and a sense of dilemma shared by many writers and readers: ‘An idea cannot have loose ends, but a novel, I almost think, needs them. Nevertheless, there is enough in common for the novelists to feel... the attraction of ideas while taking up arms against them — most often with weapons of mockery.’

Literature deals with

Read the following passage carefully and answer questions 44 to 48:
The literary distaste for politics, however, seems to be focused not so much on the largely murky practice of politics in itself as a subject of literary representation but rather more on how it is often depicted in literature, i.e., on the very politics of such representation. A political novel often turns out to be not merely a novel about politics but a novel with a politics of its own, for it seeks not merely to show us how things are but has fairly definite ideas about how things should be, and precisely what one should think and do in order to make things move in that desired direction. In short, it seeks to convert and enlist the reader to a particular cause or ideology; it often is (in an only too familiar phrase) not literature but propaganda. This is said to violate the very spirit of literature which is to broaden our understanding of the world and the range of our sympathies rather than to narrow them down through partisan commitment. As John Keats said, ‘We hate poetry that has a palpable design upon us’.
Another reason why politics does not seem amenable to the highest kind of literary representation seems to arise from the fact that politics by its very nature is constituted of ideas and ideologies. If political situations do not lend themselves to happy literary treatment, political ideas present perhaps an even greater problem in this regard. Literature, it is argued, is about human experiences rather than about intellectual abstractions; it deals in what is called the ‘felt reality’ of human flesh and blood, and in sap and savour. (rasa) rather than in and lifeless ideas. In an extensive discussion of the matter in her book Ideas and the Novel, the American novelist Mary McCarthy observed that ‘ideas are still today felt to be unsightly in the novel’ though that was not so in ‘former days’, i.e., in the 18th and 19th centuries. Her formulation of the precise nature of the incompatibility between ideas on the one hand and the novel on the other betrays perhaps a divided conscience in the matter and a sense of dilemma shared by many writers and readers: ‘An idea cannot have loose ends, but a novel, I almost think, needs them. Nevertheless, there is enough in common for the novelists to feel... the attraction of ideas while taking up arms against them — most often with weapons of mockery.’

The observation of the novelist, May McCarthy reveals

Read the following passage carefully and answer questions 44 to 48:
The literary distaste for politics, however, seems to be focused not so much on the largely murky practice of politics in itself as a subject of literary representation but rather more on how it is often depicted in literature, i.e., on the very politics of such representation. A political novel often turns out to be not merely a novel about politics but a novel with a politics of its own, for it seeks not merely to show us how things are but has fairly definite ideas about how things should be, and precisely what one should think and do in order to make things move in that desired direction. In short, it seeks to convert and enlist the reader to a particular cause or ideology; it often is (in an only too familiar phrase) not literature but propaganda. This is said to violate the very spirit of literature which is to broaden our understanding of the world and the range of our sympathies rather than to narrow them down through partisan commitment. As John Keats said, ‘We hate poetry that has a palpable design upon us’.
Another reason why politics does not seem amenable to the highest kind of literary representation seems to arise from the fact that politics by its very nature is constituted of ideas and ideologies. If political situations do not lend themselves to happy literary treatment, political ideas present perhaps an even greater problem in this regard. Literature, it is argued, is about human experiences rather than about intellectual abstractions; it deals in what is called the ‘felt reality’ of human flesh and blood, and in sap and savour. (rasa) rather than in and lifeless ideas. In an extensive discussion of the matter in her book Ideas and the Novel, the American novelist Mary McCarthy observed that ‘ideas are still today felt to be unsightly in the novel’ though that was not so in ‘former days’, i.e., in the 18th and 19th centuries. Her formulation of the precise nature of the incompatibility between ideas on the one hand and the novel on the other betrays perhaps a divided conscience in the matter and a sense of dilemma shared by many writers and readers: ‘An idea cannot have loose ends, but a novel, I almost think, needs them. Nevertheless, there is enough in common for the novelists to feel... the attraction of ideas while taking up arms against them — most often with weapons of mockery.’

According to the passage, a political novel often turns out to be a

Read the following passage carefully and answer questions 44 to 48:
The literary distaste for politics, however, seems to be focused not so much on the largely murky practice of politics in itself as a subject of literary representation but rather more on how it is often depicted in literature, i.e., on the very politics of such representation. A political novel often turns out to be not merely a novel about politics but a novel with a politics of its own, for it seeks not merely to show us how things are but has fairly definite ideas about how things should be, and precisely what one should think and do in order to make things move in that desired direction. In short, it seeks to convert and enlist the reader to a particular cause or ideology; it often is (in an only too familiar phrase) not literature but propaganda. This is said to violate the very spirit of literature which is to broaden our understanding of the world and the range of our sympathies rather than to narrow them down through partisan commitment. As John Keats said, ‘We hate poetry that has a palpable design upon us’.
Another reason why politics does not seem amenable to the highest kind of literary representation seems to arise from the fact that politics by its very nature is constituted of ideas and ideologies. If political situations do not lend themselves to happy literary treatment, political ideas present perhaps an even greater problem in this regard. Literature, it is argued, is about human experiences rather than about intellectual abstractions; it deals in what is called the ‘felt reality’ of human flesh and blood, and in sap and savour. (rasa) rather than in and lifeless ideas. In an extensive discussion of the matter in her book Ideas and the Novel, the American novelist Mary McCarthy observed that ‘ideas are still today felt to be unsightly in the novel’ though that was not so in ‘former days’, i.e., in the 18th and 19th centuries. Her formulation of the precise nature of the incompatibility between ideas on the one hand and the novel on the other betrays perhaps a divided conscience in the matter and a sense of dilemma shared by many writers and readers: ‘An idea cannot have loose ends, but a novel, I almost think, needs them. Nevertheless, there is enough in common for the novelists to feel... the attraction of ideas while taking up arms against them — most often with weapons of mockery.’

A political novel reveals

Warrior is related to sword, carpenter is related to saw, farmer is related to plough. In the same way, the author is related to

Given below is a diagram of three circles A, B and C over-lapping each other? The circle A represents the class of honest people, the circle B represent the class of sincere people and circle C represents the class of politicians. p, q, r, s, U, X, Y represent different regions. Select the code that represents the region indicating the class of honest politicians who are not sincere.

“A man ought no more to value himself for being wiser than a woman if he owes his advantage to a better education, than he ought to boast of his courage for beating a man when his hands were tied.” The above passage is an instance of

By which of the following proposition, the proposition “wise men are hardly afraid of death” is contradicted?

When in a group of propositions, one proposition is claimed to follow from the others, that group of propositions is called

Namita and Samita are brilliant and studious. Anita and karabi are obedient and irregular. Babita and Namita are irregular but brilliant. Samita and Kabita are regular and obedient. Who among them is/are brilliant, obedient, regular and studious?

For a country CO2 emissions (million metric tons) from various sectors are given in the following table. Answer the questions (55 to 60) based on the data given :


What is the percentage (%) growth of CO2 emissions from power sector during 2005 to 2009 ?

For a country CO2 emissions (million metric tons) from various sectors are given in the following table. Answer the questions (55 to 60) based on the data given :


By what percentage (%), the total emissions of CO ₂ have increased from 2005 to 2009?

For a country CO2 emissions (million metric tons) from various sectors are given in the following table. Answer the questions (55 to 60) based on the data given :


What is the average annual growth rate of CO ₂ emission in power sector?

For a country CO2 emissions (million metric tons) from various sectors are given in the following table. Answer the questions (55 to 60) based on the data given :


What is the percentage contribution of power sector to total CO 2 emission in the year 2008?

For a country CO2 emissions (million metric tons) from various sectors are given in the following table. Answer the questions (55 to 60) based on the data given :


In which year, the contribution (%) of industry to total sectoral CO ₂ emission was minimum?

For a country CO2 emissions (million metric tons) from various sectors are given in the following table. Answer the questions (55 to 60) based on the data given :


Which sector has recorded maximum growth in CO ₂ emission during 2005 to 2009?